Herbert Sussman's book explores ideas of manhood and masculinity as they emerged in the early Victorian period, and traces these through diverse formations in the literature and art of the time. Concentrating on representative major figures - Thomas Carlyle, Robert Browning, the Pre-Raphaelite Brotherhood and Walter Pater - Sussman focuses on areas of conflict and contradiction within their formulation of the masculine. He identifies the development of a 'masculine poetics' as a project which was for the Victorians, and continues to be, crucial to an industrial and commercial age. The book reveals manhood as an unstable equilibrium, and is responsive to the complex ways in which the early Victorians' masculine poetics simultaneously subverts and maintains patriarchal power.
Zbiór esejów o prozie i poezji amerykańskiej i brytyjskiej, obejmujący głównie XX wiek. Omówienia poezji dotyczą kilku wielkich twórców poczynając od Emily Dickinson, choć żyjącej z końcem XIX w., ale przynależnej nowatorską poetyką do następnego stulecia. Wiele miejsca poświęcił autor T. S. Eliotowi, nadto prezentowani są m.in. Robert Frost, D. H. Lawrence, W. H. Auden. Jedynym poetą sięgającym romantyzmu angielskiego jest w książce Shelley i jego Prometeusz wyzwoIony, dzieło o wielkiej sile oddziaływania także na polskich poetów romantycznych i późniejszych. Druga część książki poświęcona jest szkicom o prozie i jej wybitnych twórcach angielskiego obszaru językowego. Znaleźli się tu pisarze tacy jak: Virginia Woolf, James Joyce, Henry Miller, William Faulkner, William Styron i John Barth.
Although we have come to regard 'clinical' and 'romantic' as oppositional terms, romantic literature and clinical medicine were fed by the same cultural configurations. In the pre-Darwinian nineteenth century, writers and doctors developed an interpretive method that negotiated between literary and scientific knowledge of the natural world. Literary writers produced potent myths that juxtaposed the natural and the supernatural, often disturbing the conventional dualist hierarchy of spirit over flesh. Clinicians developed the two-part history and physical examination, weighing the patient's narrative against the evidence of the body. Examining fiction by Mary Shelley, Carlyle, the Brontës and George Eliot, alongside biomedical lectures, textbooks and articles, Janis McLarren Caldwell demonstrates the similar ways of reading employed by nineteenth-century doctors and imaginative writers and reveals the complexities and creative exchanges of the relationship between literature and medicine.
This fascinating account of the relationship between photography and literary realism in Victorian Britain draws on detailed readings of photographs, writings about photography, and fiction by Charles Dickens, George Eliot and Oscar Wilde. While other critics have argued that photography defined what would be 'real' for literary fiction, Daniel A. Novak demonstrates that photography itself was associated with the unreal - with fiction and the literary imagination. Once we acknowledge that manipulation was essential rather than incidental to the project of nineteenth-century realism, our understanding of the relationship between photography and fiction changes in important ways. Novak argues that while realism may seem to make claims to particularity and individuality, both in fiction and in photography, it relies much more on typicality than on perfect reproduction. Illustrated with many photographs, this book represents an important contribution to current debates on the nature of Victorian realism.
George Levine is one of the world's leading scholars of Victorian literature and culture. This collection of his essays develops the key themes of his work: the intersection of nineteenth-century British literature, culture and science and the relation of knowledge and truth to ethics. The essays offer perspectives on George Eliot, Thackeray, the Positivists, and the Scientific Naturalists, and reassess the complex relationship between Ruskin and Darwin. In readings of Lawrence and Coetzee, Levine addresses Victorian and modern efforts to push beyond the limits of realist art by testing its aesthetic and epistemological limits in engagement with the self and the other. Some of Levine's most important contributions to the field are reprinted, in revised and updated form, alongside previously unpublished material. Together, these essays cohere into an exploration both of Victorian literature and culture and of ethical, epistemological, and aesthetic problems fundamental to our own times.
The concept of culture, now such an important term within both the arts and the sciences, is a legacy of the nineteenth century. By closely analyzing writings by evolutionary scientists such as Charles Darwin, Alfred Russell Wallace, and Herbert Spencer, alongside those of literary figures including Wordsworth, Coleridge, Arnold, Butler, and Gosse, David Amigoni shows how the modern concept of 'culture' developed out of the interdisciplinary interactions between literature, philosophy, anthropology, colonialism, and, in particular, Darwin's theories of evolution. He goes on to explore the relationship between literature and evolutionary science by arguing that culture was seen less as a singular idea or concept, and more as a field of debate and conflict. This fascinating book includes much material on the history of evolutionary thought and its cultural impact, and will be of interest to scholars of intellectual and scientific history as well as of literature.
A comprehensive introduction to postcolonialism, this Companion examines different aspects of postcolonial thought and culture that have had a significant effect on contemporary critical thought. Topics discussed by experts in the field include postcolonialism's relation to modernity, and its significance and relevance to literature, film, law, philosophy, and modern cultural studies. Additional material includes a guide to further reading and a chronology.
Until now there has been no concerted attempt to represent to students of Romanticism the full range of conflicting forces responsible for its dynamic literature. The eleven original essays that make up this volume make a significant contribution to our understanding of the period, providing readers with clear and coherent access to the historical roots, intellectual ferment and cultural range of British Romanticism. It includes a chronology of major publications and events, and an extensive guide to further reading.